Entry Into the Indigenous Abode
As an integral facet of my spiritual and aesthetic practice according to the teachings of unitary
intuitive recognition, my intimate engagement with visual art investigates the nature of conscious perception. The paintings of geometric formations are not limited to individual self-expression, but reflect an investigation into the ground of existence itself. They probe the nature of time, space, and Being, which call into question preconceived notions concerning the nature of identity and reality.
Translated into visual terms from intellective intuition, the artwork explores various ways to delineate the generative source of awareness from which all phenomena unfurl. I inquire how the perceiver, upon closely contemplating visual relationships, can be incited to penetrate the limitations of perception. Attending in this manner to the rendering of interior relationships and processes of perceptual awareness has the potential to release the viewer's attention from the recognizable contents of consciousness such that an open space for direct awareness becomes possible. This is central to my investigation of visual media's capacity to spontaneously evoke an immediate awareness of reality that is free from the mind's mode of conceptual and linear understanding.
intuitive recognition, my intimate engagement with visual art investigates the nature of conscious perception. The paintings of geometric formations are not limited to individual self-expression, but reflect an investigation into the ground of existence itself. They probe the nature of time, space, and Being, which call into question preconceived notions concerning the nature of identity and reality.
Translated into visual terms from intellective intuition, the artwork explores various ways to delineate the generative source of awareness from which all phenomena unfurl. I inquire how the perceiver, upon closely contemplating visual relationships, can be incited to penetrate the limitations of perception. Attending in this manner to the rendering of interior relationships and processes of perceptual awareness has the potential to release the viewer's attention from the recognizable contents of consciousness such that an open space for direct awareness becomes possible. This is central to my investigation of visual media's capacity to spontaneously evoke an immediate awareness of reality that is free from the mind's mode of conceptual and linear understanding.
